Esquire

Annie Proulx Is Done Fighting Climate Change. Now, She’s Adapting To It

Emily Wilson Wants to Make Your Cry

For Shokoofeh Azar, “Final Victory Against the Islamic Republic is Very Close”

Don Winslow Saw Right Through Our Mafia President

How Don Winslow Turns Ancient Mythology Into Contemporary Crime Thrills

Washington Post

Elena Kostyuchenko: “Fascism can grow on every soil. No one is immune.”

Nguyen Phan Que Mai, Tim O’Brien, Viet Thanh Nguyen, Karl Marlantes: 4 Acclaimed Novelists Talk About Writing Vietnam

Bao Ninh on Coming to Terms with Tramau in Vietnam

Orhan Pamuk: “First, survive. Don’t rush to jail. Then, write.”

Maria Stepanova on Russian censors: ‘At some point, they’ll start jailing each other’

Olga Ravn on Putting Everything into “My Work”

Paul Theroux on where the future George Orwell got some of his strongest ideas

Bret Easton Ellis Talks About His New Sincerity and “The Shards”

Publishers Weekly

Mosab Abu Toha on Mahmoud Darwish and Thuận on Trần Dần

China Miéville on Jane Gaskell and Keanu Reeves on Cormac McCarthy

Paul Theroux on George Orwell and Ferdia Lennon on James Joyce

Jennifer Egan on Edith Wharton and Jinwoo Chong on John Okada

Emily St. John Mandel on Irène Némirovsky and Sarah Rose Etter on Tove Ditlevson

Roxane Gay on Marguerite Duras and Kaveh Akbar on Amos Tutuola

Lois Lowry on Flannery O’Connor and Helen Phillips on Italo Calvino

Valeria Luiselli on Juan Rulfo and Mauro Javier Cárdenas on Leonora Carrington

Olga Ravn on Doris Lessing and Karl Ove Knausgård on Jorge Luis Borges

Chuck Palahniuk on Ira Levin and Claire Dederer on Laurie Colwin

Al Jazeera

‘Living to death’: Poet Mosab Abu Toha on Gaza’s trauma, one year on

Brutality of oppression: Ai Weiwei speaks on Gaza, China and New York City

We must ‘rehumanise ourselves’: Palestinian artist Sliman Mansour

The Believer

An Interview with Hernan Diaz

The Observer

The Provocative and Risqué Rise of Painter Fabian Cháirez

Gianluca Costantini Is Using Art to Change the World

Rolling Stone

The Never-Ending Psychedelic Trip of Michael Pollan

‘I’ll Admit I Blew It’: Michael Richards Talks Kramer, Vietnam, and That Racist Outburst

Scientific American

Future Space Travel Might Require Mushrooms: An Interview with Paul Stamets

The Daily Beast

Marjane Satrapi Says ‘a Banned Book … Is a Good Book’

Jennifer Egan Leads a Tour of Her Latest Fractured Fairytale

Hernan Diaz Takes Aim at Our Myths About Cowboys and Tycoons

Lisa Taddeo: “People Who Present Depravity Are Most Often Just More Honest”

Claire Dederer: If We Cancel Michael Jackson, Must We Cancel ‘Thriller’ Too?

Chloe Cooper Jones: She’s Been Disabled Her Whole Life – You Can Keep Your Pity

Joyce Lee: Frauds Keep Selling This South Korean Artist’s Surrealist Erotica as Scam NFTs

Adia Victoria Wrote a Hit Blues Record While Working in an Amazon Factory

The Los Angeles Times

Why Tim O’Brien’s first novel in 20 years is about America’s ‘mythomania’

The Millions

Álvaro Enrigue Won’t Romanticize Mexican History

Nautilus

Don’t We Belong to Nature? – Interview w/ Karl Ove Knausgaard

The Dark Underbelly of the Near Future: Q&A with Helen Phillips

The Serious Moonlight

Author Karl Marlantes Says Every Generation Must Renew the Fight Against Fascism

Novelist Ferdia Lennon on Glorious Exploits and the Point of History

Latinxfuturist Poet Vincent Toro Wants to Toto the Technopoly’s Wizard of Oz

Living Life Fearless

We Haven’t Been Listening to Enough Vibraphonists: An Interview with Patricia Brennan

Guillermo Gómez-Peña: “Does Hope Put You at Odds with the State?”